Mixed Media on Canvas
20.5 × 24.5 Framed (comes framed)
Releasing the first of the Liberosis collection. Liberosis is an act of letting go; allowing the art to exist on its own terms, to speak without translation, and to find meaning in its own unfolding.
liberosis
n. the desire to care less about things; to figure out a way to relax your grip on your life and hold it loosely and playfully, keeping it in the air like a volleyball, with quick and fleeting interventions, bouncing freely in the hands of trusted friends, always in play.
Italian libero, free. A libero is a position on a volleyball team that can move at greater liberty than other players, subbing freely and without permission, with an emphasis on keeping the ball in play.
(The Dictionary of Obscure Sorrows)
Liberosis I created itself; each gesture arriving before it could be overthought, shaping the work from the inside out. Its layers gathered instinctively, including the remnants of a discarded piece by another artist: an honoring of what came before while freeing it from the story it once carried. Layers of acrylic paint, fragments of a French coursebook, plaster, and even spilled coffee settle into one another, allowing the past and present to coexist in liberation.
Mixed Media on Canvas
20.5 × 24.5 Framed (comes framed)
Releasing the first of the Liberosis collection. Liberosis is an act of letting go; allowing the art to exist on its own terms, to speak without translation, and to find meaning in its own unfolding.
liberosis
n. the desire to care less about things; to figure out a way to relax your grip on your life and hold it loosely and playfully, keeping it in the air like a volleyball, with quick and fleeting interventions, bouncing freely in the hands of trusted friends, always in play.
Italian libero, free. A libero is a position on a volleyball team that can move at greater liberty than other players, subbing freely and without permission, with an emphasis on keeping the ball in play.
(The Dictionary of Obscure Sorrows)
Liberosis I created itself; each gesture arriving before it could be overthought, shaping the work from the inside out. Its layers gathered instinctively, including the remnants of a discarded piece by another artist: an honoring of what came before while freeing it from the story it once carried. Layers of acrylic paint, fragments of a French coursebook, plaster, and even spilled coffee settle into one another, allowing the past and present to coexist in liberation.
